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Fashion Voyeur

People will stare, make it worth their while.

Categories: The Archives

Fashion Futures Hosts Henry Holland & Laura Weir in Conversation

This week saw the launch of Fashion Futures in Newcastle, an event set up in place of Newcastle Fashion Week this year to celebrate the emerging design talent from Northumbria University, who have been delivering outstanding Fashion Design courses for sixty years.

The two day programme had a jam-packed schedule full of great events for both industry insiders and the public with the Baltic Centre for Contemporary Art playing host to the whole event providing a hub and backdrop to this awesome celebration of homegrown talent.  Think of it as the North East’s Somerset House / Brewer Street carpark.

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über cool designer Henry Holland visited the region to participate in Fashion Talks with Laura Weir, Fashion Features Editor for British Vogue.  The auditorium was packed out for this event with Editors, Bloggers, Fashion students and people with a genuine passion for fashion and it didn’t disappoint.  The pair took to the all white stage, Laura Weir looking slick in a House of Holland midi dress and biker jacket and Henry Holland looking every inch the off-duty designer in black skinnies, Dr Marten boots and a denim jacket from his own collection with neon highlights.

I threw on a pair of Zara pants, an off Duty tee and some Prada shoes to take my seat on the front row and bring you the skinny.

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This particular segment of Fashion Talks was billed as Henry Holland and Laura Weir in Conversation and that’s exactly what it was.  The Pair have been firm friends for a long time and it showed, the conversation was fun and upbeat with Weir asking probing and considered questions giving thought to what the audience would want to learn about Holland.  We learned how he began his career – he was actually rejected from a Fashion Design course and studied Journalism at University but hated it!  We got to hear that his mum told him when he was younger that “We get eight careers” in our lifetime and he proceeds to talk about his early careers at now defunct Smash Hits and Bliss magazines.  It raises a giggle from the audience when Holland talks about his iconic breakout tee collection and how they were borne out of a drunken conversation one night with friends.  Hearing this makes the designer seem more real, more accessible and more human.

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The pair laugh as they reminisce about those now infamous slogan tees, (FYI I’m the proud owner of Do Me Daily Christopher Bailey and Flick Your Bean for Agyness Deyn) and how a whole career was started on four rhyming couplets.

Holland talks passionately about that time in his life, saying that those tees were just the start of things, they “were like a football shirt or band T-shirt for the fashion industry” and gave people who “maybe couldn’t afford a Christopher Kane dress a way of supporting the industry” by wearing a playful Cum Again Christopher Kane tee, almost like making a statement that you belonged.  Holland went on to talk about how these tees allowed him to create a “strong visual DNA” for the brand.

He tells the audience about his first time showing at London Fashion Week as part of Lulu Kennedy’s Fashion East in 2006 and how he only realised it was an Autumn / Winter show moments before go time and his House of Holland collection was all short-sleeved T-shirts.  He goes on to say that following this, he took constructive criticism wherever he could and went on to build a small team of staff and completed a full collection including eyewear, accessories and footwear.

It’s easy to feel like you’ve known the pair for years, watching them talk and joke with each other on stage is comforting, there’s no snobbery and when asked by an audience member if he feels that a University education is essential in order to break into the fashion industry Holland says absolutely not.  He admits that it takes willpower and that he still encounters snobbery because he had no formal design training, but says that he wouldn’t change anything throughout his career so far and that he’s “happy to share his mistakes” if it helps others in their quest to enter the famously guarded fashion industry.

Holland has wise words for budding designers too, he advises ” Stay true to your brand, its DNA and what you are trying to say through your clothes.”  the designer muses that he loves that people can personify with his brand and its message.  He goes on to say that he admires what Paul Smith has created, “a quintessentially British brand that has absolutely retained its Paul Smith vibe”.

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When asked whether he finds his role glamorous, Holland is quick to say “no”, he elaborates by saying that the celebrities he’s so often photographed with are his original group of friends since childhood and that celebrity is just a “side effect of their jobs”.

So what’s next for Henry Holland?  Well the designer has recently moved into menswear and would love to open his own physical store in London in order to create a “curated environment” for the customer.  He’s asked a great question by the editor of Darkus magazine: If he could give this part of his life a chapter name, what would it be?  After a short pause, Holland smiles and says ” I think it would have to be, What the Fuck Just Happened?!”  He goes on to tell us that there is actually a book on the horizon charting his life so far, if this talk is an introduction then this book is sure to make for an interesting read and is certainly something I’d read.

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His last question is from a young designer in the audience who asks whether it’s important to base yourself in London as a designer.  Both Holland and Weir are resolute in saying “no”.  Although both admit that it makes things easier, Weir claims that being outside of London could actually work to a designers advantage “you already know your audience and market and don’t have the competition” that there is in London.  Both firmly agree that the most important thing for young designers to have is passion and drive and a will to succeed.

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The pair thank the audience for their involvement and with that they’re off all smiles and waves.  Hats off to the organisers NE1, this was funny, interesting and engaging and the time flew by.  The format absolutely worked and the duo left the audience wanting more, in fact some of the younger Fashion students were discussing those sage words of advice afterwards.

If Henry Holland hasn’t been on your radar, firstly, where have you been?! And secondly, check him out.  At the end of the day as we discovered, he’s just a normal, down to earth guy with an insane amount of talent and some cool friends who happen to be celebrities.  He’s got a really awesome story to tell and pretty soon it could be on a bookshelf near you.

Pixie x

Categories: The Archives

NE1 Fashion Futures

The North East’s very own annual fashion event Newcastle Fashion Week is taking a break this year and instead will be replaced with a two day, jam-packed event called Fashion Futures. In line with the 60th anniversary of the Fashion department at Northumbria University, one of the most influential and highly regarded institutions for fashion study in Europe.  The groundbreaking Fashion Futures event will acknowledge the University’s contribution to the fashion industry and will showcase the talent of current students, graduates and alumni.

Held over two days at the BALTIC Centre for Contemporary Art in Gateshead, the event will provide a fresh new take on the Fashion Week that the city has become accustomed to and will be condensed into two days rather than the usual full week.  The event will include a graduate runway show from Northumbria University’s Class of 2015 on Day One which will no doubt see an influx of international buyers and editors to Newcastle and Gateshead.

Day Two brings Fashion Talks, a series of three talks which aims to help and support young people in breaking into the fashion industry, the line up for these talks includes contemporary fashion designer Henry Holland and Editor in Chief of UK Vogue, Alexandra Shulman.  A panel discussion will be another attraction of Fashion Talks with fashion industry experts including three local designers who all graduated from our very own Northumbria University; Michelle Taylor founder of luxury lingerie brand, Tallulah Love; Charis Younger, Menswear Designer at All Saints; Kate Ablett, Berghaus designer, and Darren Spurling, Managing Director of international footwear designer Terry De Havilland.

The ever popular Fashion Front Row event will return as part of this new fixture on the evening of May 14th providing a showcase for emerging North East talent, I’ll be there covering both days to bring you live updates from the FROW and to blog about the event as a whole and I’m looking forward to seeing what the Class of 2015 has to show.

So however you feel about this event replacing Newcastle Fashion Week, you’ve got to sign up to stay in the know, to sign up for alerts and ticket releases for Fashion Futures visit: NE1 Fashion Futures

Pixie x

Categories: The Archives

Alexander McQueen Savage Beauty

“I want to be a purveyor of a certain silhouette, or a way of cutting, so that when I’m dead and gone people will know that the 21st century was started by Alexander McQueen.”

Unless you’ve been living under a seriously well hidden rock you’ll know that the V&A is currently hosting a retrospective of the career of designer Alexander McQueen and as far as exhibitions go, this one is pretty damn magnificent.  The Savage Beauty exhibition began its life at the Metropolitan Museum of Art in New York and has since been expanded and tweaked for its hotly anticipated arrival in London, McQueen’s home, and the city where he honed his craft.

Savage Beauty is as raw as it gets, and walking around the exhibition so close to this body of work, it feels almost voyeuristic, like you’re viewing something sacred and holy which was meant to be kept secret…..

The exhibition is presented over ten rooms which aim to showcase the most prolific of themes that Alexander McQueen himself showed during his runway shows.  Savage Beauty takes you on a journey through McQueen’s entire career from his previously unseen 1992 MA graduate collection through to his final, incomplete FW10 collection.

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As you enter Savage Beauty, the atmosphere is palpable, dark, eerie and bordering on uncomfortable, the air peppered with a recording of McQueen’s voice played over jutting soundbytes, an image of the late designer’s face is projected onto a black wall which slowly morphs into the Skull Lenticular.  The first section of the exhibition, London, concentrates on ten of  McQueen’s more famous early pieces spanning three collections: The Birds (S/S 1995), Highland Rape (A/W 1995) and The Hunger (S/S 1996) and runway footage is played behind the installation.  This is your first glimpse at the world and the mind of Lee Alexander McQueen and it’s beautifully poetic.

1. Installation view of 'London' gallery, Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London

The next room, Savage Mind, displays some of McQueen’s very early signature tailoring and his inventive cutting techniques, McQueen always designed from the side, saying that this was the best way to see all of the lumps and bumps and to decide how to skim these.  His Kickback Trousers for example, form a perfect semi-circle when laid out flat, but on the body they drape at the back of the knee and create a flattering elongated kickback shape at the back of the ankle.  In this room the famous “Bumster” trousers are displayed, although rather surprisingly from the front rather than the rear.  A sharp shouldered jacket featuring an image of Robert Campin’s The Thief to the Left Of Christ by the Master of Flemalle c.1430 from the FW97 It’s a jungle Out There collection gives an early glimpse into McQueen’s fascination with gothic symbolism.

2. Installation view of 'Savage Mind' gallery, Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London

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The Romantic Gothic room is breathtakingly beautiful, set in an eerily dark and atmospheric room, the display is almost too much to take in.  There are strong references to the Victorian Gothic aesthetic that McQueen excelled in, garments featuring hair as a centrepiece and the famous Black Swan takes centre stage, emanating a certain sadness that you can’t fail to feel when you look at this awesome display of craftsmanship.  It’s this particular room which holds pieces from McQueen’s final unfinished collection and it’s here that you feel part of an important moment in fashion history, McQueen was working on these pieces when he died and they’re dark and twisted and beautifully intricate.

“I don’t think like the average person in the street – I think quite perversely sometimes.”

images-13 Installation view of 'Romantic Gothic' gallery, Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London images-14

Romantic Primitivism takes us deeper into the mind of McQueen, in a room where the walls are adorned with skulls and bones reminiscent of a catacomb and in the ceiling a hanging bubble plays the short film Irere directed by McQueen and John Maybury to accompany the SS03 collection.  The smell of leather and skin hits you immediately and it’s the first time you appreciate just how close you actually are to these masterpieces.  This section of the exhibition explores McQueen’s interest in the animal world and in particular the survival of exotic creatures in the wild, his FW97 collection: It’s a Jungle Out There was inspired by the Thomson’s Gazelle with McQueen saying his interest was borne out of the fact that “the life of this particular creature is over before it has even begun”.

“Animals fascinate me because you can find a force of energy, a fear that also exists in sex……”

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The adjoining room houses the Romantic Nationalism section of the exhibit and it’s perhaps the most emotionally evoking room in the whole exhibition, and certainly the most dramatic.  Darkly romantic and rebellious, the pieces in this display make a clear statement about patriotism.

“As a place for inspiration Britain is the best in the world, you’re inspired by the anarchy in the country….”

Presented in a room of red walls, on the left plinth the MacQueen tartan takes pride of place and music specially composed by John Gosling is played, creating a sense of spine prickling drama, the dress worn by Sarah Jessica Parker to the 2006 Met Gala is displayed and up close, McQueen’s genius in cutting is evident, matching diamonds and creating lined patterns rather than matching the tartan repeat.  Pieces from the FW08 collection entitled The Girl Who Lived in the Tree are displayed on the right, a collection which was inspired by an Elm tree in the garden of McQueen’s country home near Fairlight cove in East Sussex and a story he created about it in his younger years.  The collection was tinged with irony and pastiche and very romantically nationalistic with swathes of red and white and a million feathers.

His patriotic loyalty is never more evident than in this room, McQueen was once asked about his heritage and what his Scottish roots mean to him, his reply? “Everything.”

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From here you make your way into the most breathtakingly heart wrenching room in the exhibition: The Cabinet of Curiosities.  This forms the beating heart of the exhibition and the room is double height featuring various screens showing runway footage and iconic pieces displayed in gallery format.  There are over 120 pieces on display in this one room and it’s understandably a lot to take in, it’s overwhelming, like a feast for the senses and when you first enter the room, you literally don’t know where to look.  In the centre of the room is the now iconic spray painted dress from No.13 SS99.  Just laying eyes on this dress pulls on my heart and I feel a real sense of privilege.  The installation is set up to mimic the positioning of Shalom Harlow as she stood centre stage on that spinning disc, minus the Fiat plant robots, and it’s such a powerful display that it actually moved me to tears and I wasn’t the only one who felt it.  There’s a real sense of awe in this room, just being amongst so many amazing pieces reminds you of what a talented and courageous designer McQueen was.  Throughout his entire career, No.13 was the only show that ever made the designer himself cry and when you’re there, right in front of it, you can understand why.

The Yashmak from McQueen’s SS00 Eye collection was painstakingly rebuilt for The Cabinet of Curiosities and is displayed in show on a screen nearby, other pieces on display in this room are the Armadillo boot, first introduced in the SS10 Plato’s Atlantis collection and worn by Lady Gaga in her promo for Bad Romance, the Butterfly headdress made by Philip Treacy for McQueen to accompany his SS08 La Dame Bleue collection and the mask and Crown of Thorns from the FW96 Dante collection.  This is a room that has been designed for viewing, there are bench seats in the centre and you could seriously spend all day looking at these objets de curiosite which have been staged so beautifully.

6. Installation view of  'Cabinet of Curiosities' gallery, Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London images-17 3. Spray painted dress, No. 13, SS 1999, Model - Shalom Harlow represented by dna model management New York, Image - Catwalking.

2. Butterfly headdress of hand-painted turkey feathers, Philip Treacy for Alexander McQueen, La Dame Bleu, Spring Summer 2008, copyright Anthea Sims images-7 IMG_1465

as you move through The Cabinet of Curiosities, you find yourself in a viewing area with a pyramid set up to display the haunting Pepper’s Ghost created for the finale to the FW06 The Widows of Colloden finale, using a technique pioneered by Harry Swan in the 19th century, the spectral image of Kate Moss is conjured and it is completely mesmerising.  For the short period of time that the spectre appears, the room is silent and the surrounding people are as transfixed as I am, the whole spectacle utterly draws you in and is tinged with an almost palpable sadness.  I spot more than one person wiping away tears as they exit this section of the exhibition and it’s hard not to be moved.  Not one to shy away from a spectacle, McQueen was fascinated by death and the macabre and insisted that “death is part of life, I‘ve always been fascinated with Victorian views of death…. when they used to take pictures of the dead.  It’s not about brushing it under the carpet like we do today, it’s about …celebrating someone’s life.  and I don’t think it’s a bad thing.  I think it’s a very sad thing but it’s [also] a very romantic thing because it means the end of a cycle and everything has an end… it gives room for new things to come behind you“.

There’s a real shift as you enter Romantic Exoticism, this section of the exhibition explores McQueen’s interest in eastern culture and influence.  On display are the designers take on traditional Japanese kimonos and silk trousers all with that dark twist synonymous with McQueen.

“Fashion can be really racist, looking at the clothes of other cultures as costumes.  It’s mundane and it’s old hat.  lets break down some barriers…”

7. Installation view of 'Romantic Exoticism' gallery, Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London 11. It's Only a Game, SS 2005. Image firstVIEW

At the end of this room is another sinister installation, one you are almost forced to take in.  Part of the SS01 Voss (AKA “Asylum”) runway show, McQueen put on a completely unexpected live finale based entirely on a 1983 Joel-Peter Wilkin photograph entitled “Sanitarium” which depicted a glass box housing a voluptuous, masked woman connected to a stuffed monkey via a breathing tube, McQueen selected fetish writer Michelle Olley to play the part in the finale and the image has become synonymous with the Voss collection.  McQueen later said of Voss: “It was about trying to trap something that wasn’t conventionally beautiful to show that beauty comes from within.  It’s to do with the politics of the world – the way life is – and what beauty is”

8. Installation view of 'Voss', Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London images-10 images-6

“I find beauty in the grotesque like most artists.  I have to force people to look at things…“

As you move away from the Earthy Voss display, you enter the Romantic Naturalism section and it’s exactly that.  There are flowers and beautiful delicate lace in the pieces in this room and it’s almost too pretty for words, each piece is displayed in its own glass case and each piece flows seamlessly into the next like a passionate and romantic story, the lace dress pierced by resin antlers from the FW06 The Widows of Culloden is centre left and up close appears almost fluid.  On the opposite side is the razor clam shells dress from the SS01 Voss collection as worn (and originally trashed) by Erin O’Connor and it’s a sight to behold.  Seeing this piece in print is one thing but being right up in front of it is another thing altogether, you simply can’t describe the craftsmanship and the beauty of this piece, it’s almost other-worldly.  McQueen wasn’t a designer to conform or be limited by materials and fabrics and took pleasure in using unexpected items to create his masterpieces.

“It was time to come out of the dark and into the light.”

9. Installation view of 'Romantic Naturalism' gallery, Alexander McQueen Savage Beauty at the V&A (c) Victoria and Albert Museum London  5. Tulle and lace dress with veil and antlers, Widows of Culloden, AW 2006-07. Model Raquel Zimmermann, Viva London. Image firstVIEW c381590c-bba2-498d-9e0b-bcf229f4c8b7-320x480 111111111

The finale of the exhibition is Plato’s Atlantis.  McQueen’s last fully realised collection shown for SS10 and based on a predicted future in which the polar ice cap would melt and life on earth would have to evolve in order to live beneath the ocean once more or perish; humanity would return to the place from where it came.  Displayed in front of a giant screen showing the same short film used in the runway show featuring Raquel Zimmerman writhing and twisting as she morphs into a semi-aquatic creature, Plato’s Atlantis is futuristic, fresh and delightfully strange.  This is the collection which unveiled the Armadillo boot silhouette for the first time, the Bell Jar dress and the JellyFish print which spawned so many high street tributes.  Hailed as McQueen’s greatest achievement, Plato’s Atlantis is so far removed from anything we’ve previously seen from the designer, and perhaps alluded to a new direction for him, sadly we’ll never know what McQueen had planned for us for beyond FW10 but we do know that it would have been spectacular, and awe-inspiring and beautiful.

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If you’re a lover of fashion, and even if you’re not, the Savage Beauty exhibition at the V&A is an absolute must see, there is no doubt that you will be transfixed and it’s unlikely that such an incredible body of work from such an iconic designer will ever be on display like this again.  Curator Claire Wilcox was given unrestricted access to the McQueen archives in order to create this exhibition and has done an amazing job in creating the ambience to match each of the definitive themes featured here.  There are footnotes to each piece and in some cases these are hard to find and even harder to read given the sheer volume of people making their way through the exhibition at any time.  I would have loved to see more biographical information about McQueen, his heritage and his rise to become fashion’s enfant terrible, there are many subtle references to Isabella Blow, long time muse of Alexander McQueen but any reference to their tempestuous relationship is notably absent.  However, the exhibition was always going to be about the clothes.

I’ve talked you through what I took from the exhibition but at the risk of sounding like a cliché, this is something you need to experience for yourself, it’s so much more than just looking at beautiful clothes, it’s a feeling, an ambience, a collective experience for the senses.  So give yourself up to fashion and soak up the dark gothic atmosphere of Savage Beauty, and then go and do it all again because you’ll never get another opportunity to be a part of something of this magnitude and you’ll definitely leave there with more questions than you entered with but you’ll absolutely feel inspired.  And if you really do want to know more about Lee Alexander McQueen, splash out and buy the book that accompanies the exhibition, it’s a gorgeous book that you’ll pick up repeatedly in the days following your visit(s) to the exhibition.

“There is no way back for me now, I’m going to take you on journeys you’ve never dreamed were possible…”

Pixie x

The exhibition runs until August 2nd 2015 at the V&A Museum and tickets and further information can be found here: http:/www.vam.ac.uk/savagebeauty

All quotes used in this article are by Lee Alexander McQueen.

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Alexander McQueen: Savage Beauty, in partnership with Swarovski, supported by American Express, with thanks to M∙A∙C Cosmetics, technology partner Samsung and made possible with the co-operation of Alexander McQueen, runs from 14 March – 2 August 2015. www.vam.ac.uk/savagebeauty

Categories: The Archives

Ladies Pamper Evening, As You Like It

I was invited to a Ladies Pamper Evening this week at eclectic nightspot As You Like It in Jesmond, given that it’s one of my favourite hang outs I jumped in with both feet.  As You Like It is an amazing venue set on the outskirts of Newcastle and spread over three floors, each offering a different vibe.  Quirky and cosy, AYLI claims to be “Newcastle’s most beautiful restaurant” and it’s easy to see why; attention to detail is huge here, right down to the floral wallpaper and perfectly mismatched chairs, it’s no wonder it was once voted “seventh sexiest restaurant in the world” by The Observer.

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The event was held downstairs in Frangipani, a “chintz free function room” which still offers an intimate feel despite being a large space.  I worked a hard Seventies look (very Tom Ford) and I swished through the door, all leopard print blouse and vintage denim skirt still sporting straightened hair from an earlier photoshoot.  I arrived to a warm welcome and a Cherry Bomb cocktail in a vintage style jam jar glass so was already winning before the event had even begun.  The room opened out into a softly lit pop up boutique for the evening with stalls from Salisa UK, Love Niche and even Ann Summers.

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On the outside edge of the room, a brand called Salisa offering a selection of scarves, accessories, clothing and jewellery, all with a very Mint Velvet vibe about it.  Think sports luxe in a cool neutral palette that spans all ages.  Soft touch fabrics and gorgeous buttery soft suede bags invited clients to touch them and owner, Lisa Woodrow was on hand to talk clients through the collection and offer styling advice.  She tells me that her items are stocked in a number of boutiques and stores throughout the region but the bulk of the collection is carried in a small courtyard space just off Sidegate Gallery in Sunniside.  If easy-to-wear separates in soft muted tones are your thing, then it’s worthwhile looking into Salisa a little further.

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In the centre of the space; Love Niche.  We’ve come to know and love this brand, designed by owner Nisha Vedhara, for bringing the glamour and the collection on display today doesn’t disappoint.  Nisha has brought along a super stylish selection of resort wear that wouldn’t look out of place in Monte Carlo Private beach Club, all of which are her own designs and all are equally fabulous.  There’s also a table of accessories which has all bases covered, from snake necklaces through to book style handbags and patterned scarves.  The less expensive diffusion line, Love Niche London is also available to purchase here too and is crowded with Jesmonds Fashion Set for most of the night.

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Mini beauty treatments were also on hand from the girls at City Retreat, Jesmond and these consisted of head and shoulder massages, hand massages, mini manicures and more, there were also Elemis Spa products available to buy on the evening.  Further round the room were displays of beautifully decorated cupcakes for all occasions (sadly not available to eat, just to look at) and jewellery.

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The evening was set up in conjunction with The Chronicle Sunshine Fund in order to raise money to provide specialised equipment to children with special needs and disabilities in the North East of England.  As a mum to a child with disabilities myself, (something i don’t talk about a great deal) I jumped at the chance to support this great event and was pleased to see that it was well supported by the women of Newcastle and that throughout the evening, the atmosphere was positive and non-waning.

thanks so much to As You Like It for inviting me, and also I must say a huge thank you to Nisha Vedhara for gifting me a gorgeous peach tulip midi skirt on the evening, I’m super grateful and absolutely love it, you’ll see me wearing it very soon!

Pixie x

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Categories: The Archives

Love Niche Fashion Event

To say that Nisha Vedhara, Designer and Director of style studio; Love Niche is passionate about her job is an understatement.  Nisha grew up around fashion, her mum was a designer in India and Nisha absorbed as much as she could before bringing her own designs to the UK and setting up her boutique Love Niche.

Nestled in the heart of über trendy Newcastle city centre, Nisha owns and runs Love Niche Studio, a small but achingly stylish boutique on Clayton Street which not only stocks and sells clothes, but also offers a personal styling service for clients old and new.  Nisha travels to Italy, France and India to personally select the pieces that make up the Love Niche collection.  Anyone can access the service, you don’t have to be in the upper echelons of the fashion elite to be styled by Nisha, you just need to be able to get to the studio and she’ll do the rest.  Simples.

Newcastle is now considered soooo cosmopolitan that it has its own annual Fashion Week in May and in the run up to NFW the city turns its urban cool dial up a notch in preparation.  As the event draws nearer the North’s fashionistas begin to up their game.  It’s no surprise then that on March 30th, Newcastle’s Fash Pack, myself included of course, assembled in trendy nightspot Bonbar for a fashion event that’s become an annual hot ticket.  Hosted by Love Niche, in association with Hooker and Young Hairdressers, Terry de Havilland and North East glossy; La Di Da magazine, the relatively new event is always a very slick presentation.

Guests were greeted on arrival by hostesses and handed a goodie bag and given the option to purchase deluxe raffle tickets, a dedicated selfie area complete with Love Niche background, gold picture frames and flower crowns was set up in the entrance for show goers to tweet and Instagram their pictures.

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I arrived at 7.55pm wearing a Jean-Pierre Braganza denim jumpsuit and L.A.M.B. heels, fashionably late as it were, (the invite said 7.30pm) and the venue was already packed with TV personalities, models, bloggers, editors and people just generally inspired by and passionate about fashion and style.  Guests ordered from a bespoke drinks menu created specially for the event and sampled canapés from silver trays strewn with gorgeous flowers provided by The Scene Setter, the same company who created those gorgeous flower crowns.

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The evening opened with a talk on style; Nisha is passionate about style and shares the opinion of Gabrielle Chanel: “Fashion comes and goes, but style is eternal”.  When she speaks it’s easy to see that she is the driving force behind her own brand and that she is truly about female empowerment.  she passionately tells the audience that it’s definitely “not about size” the way that so much of the fashion industry is and that it’s more about “a feeling”.

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The show itself features some of Nisha’s own designs as well as items which are stocked in the Love Niche boutique, it opens with resortwear and models in bikinis and kaftans in glorious colours walk the makeshift runway which traverses the entire bar area ensuring that everyone can see what’s on offer.  The hair is divine; fishtail plaits looped back on themselves topped with flower crowns handmade specially for the event.

As we move into daywear it becomes apparent that Nisha is not about one particular movement or segment of fashion, there’s something here for everyone.  From the dedicated fashionista to the 9-5 office worker and everyone in-between, we’re all catered for.  The next section of the show is all about “achievable glamour”.  think fifties style printed co-ords with bare midriffs, wide legged trousers giving a nod to riviera chic and a DIVINE one shouldered red pannier dress that could have sauntered off the Dior SS15 runway, (I’ll definitely be popping in to the studio for a closer look at that one) all topped off with a line of oversized sunglasses.

The final phase of the show was real high-octane glamour.  Full length gowns, sequin covered disco ball frocks, and show-stopping frothy floor sweepers.  As the show draws to a close, the line out showcases those amazing red carpet worthy frocks one last time and attention is drawn to Nisha as she appears on the stage in a figure hugging black dress to take her bow.  She thanks everyone and makes an emotional statement about how overwhelmed she is at the support for tonight’s event.

As far as event dressing goes, Love Niche has you covered.  I don’t think I’ve seen such an extensive range of red carpet style gowns available in the North East and with a range of accessories carefully sourced and selected to match, you really do have a one-stop shop with Love Niche, and it’s right in the centre of Newcastle.  Whether you have a prom coming up, an event, wedding or just a big night and you want to go all out in the style stakes, Love Niche is certainly worth a visit.  You’ll find that there’s something for every price range, from high street to high-end and you’re likely to end up with something pretty unique.

Fun, Fashion, Friends and Flower crowns all in one night, what more could a girl want?  Oh yes and I won a raffle prize too….

Pixie x

To find out more visit Love Niche online at:

www.love-niche.com

www.lovenichelondon.com

Want to engage with Love Niche on social media?

Twitter: @LoveNiche & @LoveNicheLondon

FaceBook: www.facebook.com/LoveNicheStudio

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P.S. After having my actual camera stolen at London fashion Week I was left using my iPhone, hence the pictures of my (über cool) “Collective” and I!  I promise to update with pictures of the models as soon as I can get hold of them!

 

 

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mrswamsbsgans leyla 🍒 @mrswamsbsgans ·
24 Feb

and if i say this is one of the best episodes of television of all time?????

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16 Feb

Elizabeth Taylor is asked if her beauty was a curse (1999). Love her answer.

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16 Feb

Top of the Pops (16th February 1978). Kate Bush makes her TOTP debut.

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